The Novel
We've all heard about Juanita poor,
dear woman with her poor, dear woman act
metastasizing like a metaphor
into fact;
that benefactor of Topeka Teens
Making a Difference and the quiet third
shifts he was pulling, sealing smack glassines
we've all heard,
even Nicole, whose novel never goes
anywhere because she isn't ready
to think the worst of characters she knows
haven't done anything to anybody.
Figurative North Topeka
for Ben Lerner
Seasonal graffiti crawls
up the overpass like ivy
abstract names on concrete stanchions.
To the south, symbolic walls:
NO OUTLET signs along the levee,
idle river, idle tracks,
bypass, bluffside and the backs
of Potwin's late-Victorian mansions,
flush like book spines on that shelf.
Drunk on your late-Victorian porch
you promised me that if elected
you'd have the river redirected
down Fourth Street, to make Potwin search
North Topeka for itself.
I told you to retire Ad Astra
Per Aspera and put For God's
Sake Take Cover on the state
seal and flag the license plate
at least, since we collect disaster
and loss like they were classic rods:
'51 Flood; '66 Tornado.
Even the foot-lit Statehouse mural
has a sword-bearing Coronado,
a Beecher's Bible-bearing Brown
and a tornado bearing down
on its defenseless mock-pastoral,
The Past. The present was still wet
when the embarrassed legislature
resolved that it would never let
John Steuart Curry paint the future.
He never did, although Topekans
would learn to let bygones be icons.
On Thursday, July 12, the rain
relented and the water rose,
darkened and stank more. The stain
is just shy of the second story
in what used to be Fernstrom Shoes.
That entire inventory
spent five nights underwater, gaping
like mussels on the riverbed.
Fernstrom spent the summer scraping
gobs of septic-smelling mud
out of eleven thousand toes.
On Friday the 13th, the Kaw
crested at thirty-seven feet.
They thought it might have cut a new
channel down Kansas Avenue.
One Capital reporter saw
a kid reach up from his canoe
and slap the stoplight at Gordon Street.
Porubsky's never did reclaim
its lunchtime clientele; the torrents
sent the Sardou Bridge to Lawrence
and there was no more Oakland traffic.
Business hasn't been the same
for fifty years now. Fifty-two.
Ad astra per aspera: through
the general to the specific.
You do what you want to do
but I'm not using North Topeka
in conversation anymore
because there is no north to speak of;
there's only mud and metaphor.
Eric McHenry
Potscrubber Lullabies
The Waywiser Press
Copyright © Eric McHenry, 2006
All rights reserved.
Reproduced by Poetry Daily with permission.